I don’t know why I bother with reading books anymore. All
they do is crack you open and make you care about things like, I don’t know,
passion and longing and yearning and messy uncomfortable stuff that can’t be
resolved by a bullet point on a to-do list.
And,
certainly, I must save my strength, my worry, for my never-ending list of tasks
which, once completed, will certainly spit out the prize I’ve been working so
hard to earn, whatever it is, like one of those claw machines that finally
picks up a two-dollar watch you spent eighteen
dollars in quarters trying to get.
I’ve
been trying so hard to get it right, to force things to happen. There are
goals, action items, lists, emails to answer, things to achieve.
I’ve
been trying to pretend that I am a practical, business-like person who
appreciates the simple, beautiful functions of spreadsheets. A little
disappointed-- miffed, perhaps -- that a degree in creative writing didn’t
prepare me well enough for the “job market.”
And
it didn’t, of course. My first job after college was driving around
southeastern Pennsylvania and Delaware teaching “reading classes” off a script
that was given to me in a big white binder, trying to convince kids that
“reading is fun!” because I said so, because other adults said so, because
their parents were willing to pay for this class in order to better prepare
them for “the job market.”
But
reading is not fun, kids. It’s not fun like an amusement park, or playing video
games, or playing soccer. It can be depressing, heart-wrenching, mind-bending.
It can make you question your reality, yourself, your life. It can make you see
yourself more deeply, possibly in shades that are as not as flattering as you
might like.
Because
the truth is, I was not “prepared” for the job market. I was not “prepared” for
real life – but is anyone, really? Perhaps my big mistake all along was the
misconception that with enough preparation, you can be ready for and able to
manage this massively unwieldy, tangled up, randomly-firing gibberish people
call life unfolding.
I
can almost feel my 19-year old self cringing at the compromises I have made, am
making, even now. She with the Janis Joplin poster on her wall does not accept
my reasonable arguments about making a living, affording meals and maybe a
house someday, gardening supplies, a plane trip to visit people now and then.
Because
she is unreasonable, that girl, along with many other things. A little
embarrassing, perhaps, in her stridency and urgency. But she wouldn’t stand for
this shit about grad school and paychecks and gardens. The world is your
garden, she would say. Everything is your garden: streetlights, lampposts, the
Vietnamese hoagie shop, the bicycles gliding past. And she would mean it. Metaphorically,
of course.
What
happened to that girl, the one whose brain circuitry got all blown out when her
AP English teacher introduced her to The Wasteland. Who stayed for hours in the
college library soaking up memoirs and poems, wrestling with them, trying to
make heads or tails of them, reading W.D. Snodgrass as if it mattered, as if it
was important to find out what those words meant, why that nice old man took so
much time to put them together in that particular way, in that particular
order. Surely it meant something to the guy who spent so much time on them, if
she could only figure out what.
What
happened to the girl who thought anything was possible, who still didn’t know
that she would not, in fact, meet the love of her life in college, who still
felt that he (she? nah, probably he...) could be lurking around every corner, it could be any one
of these people.
What
happened to she who flipped out over the beauty of dying black-eyed susans on
her way home from class, such that she couldn’t wait to get home to write about
it. Or even she who haunted the Shakespeare & Company bookstore in Paris,
whose sixth sense, almost, brought her there to the scent of her wildest
fantasies, in which she was a bohemian writer-artist traveling through Europe
making fast friends, sleeping with people, drinking right from the bottle.
Living a little.
And
yet whose good sense always overrode that sixth sense, kept her from acting on any impulse other than that
it would be time to get home soon, the subway closed at midnight, she didn’t
want her host mom to worry (if she was even home). She had to complete her
homework for her class, she had to earn an A, or the French school for
foreigners equivalent, because deep down that was the comforting way she knew
how to look at herself: responsible, hardworking, desperate for the approval of
whatever random person happened to be in authority.
Do
you see what that has cost you, you silly girl?
Maybe
nothing. You are safe and warm. But once upon a time you dared to dream that
there was something more to life than safe and warm.
I
don’t apologize to her, the 19-year old with the Janis Joplin poster. She was
kind of ridiculous in many respects, often too strident, impossibly insecure.
She toed that odd line of wanting to befriend everyone and wanting to tell
everyone to fuck off. She could never quite choose. Maybe still can’t.
But
she was a bit of pretender, that girl. She’d could really only identify one or
two Janis Joplin songs, although she was massively fond of Bobby McGee. Thumbing
a diesel down, hitching a ride to New Orleans, that sounded alright to her. Of
course, J.Jop died real young, and at this point I can’t really get behind
that.
It’s one thing to make an album or two of
smoking, epic passion and then flame out early and die. It’s another thing to
stick around as life mellows and grows more complex, gains additional flavors
to those of hot pepper and raw nerve. It can get slower, deeper, more subtle,
maybe even richer. More heartbreaking, more confusing.
Maybe
the girl with the Janis Joplin poster would have said fuck you to all of that.
But Janis Jopin did not have the balls, ultimately (and who can blame her), for
growing older and learning new things; gaining wisdom; watching her parents age
and contemplate the fact that they will eventually die and perhaps could have
been happier in life; having to make sacrifices and compromises; paying the
steep steep prices that continuing to live can sometimes exact.
I
do miss that girl, though. She left by degrees, slowly was replaced with
another girl who could appreciate not just the cracked-out urgency of the Beats
but whose mind began to open and unfold despite herself toward poets of a
quieter, subtler, more nuanced ilk.
She
never wanted to be like those old boring gray-haired poets who lived in the
woods and smoked pipes and wrote poems appreciating all the birds and twigs and
leaves. Sounded like the most boring thing in the world.
Maybe
what she could not yet appreciate was how absolutely ravaged you tend to be by
the time you have the privilege of living to be old enough to go gray.
Maybe
she couldn’t appreciate how much those boring old duffers had lost along the
way to their lonely cottages in the woods.
How
maybe the only solace, the only truth they had left were those stupid
woodchucks or the smell of damp soil in the morning or the way sunlight dapples
things or the way words look and sound on a page.
Maybe
she didn’t give them credit for knowing that these small tokes of natural beauty
or calm, contemplative sadness were not really enough, all told, to make this gradual wasting
process called life worth it— but that they felt that perhaps they should try,
anyway.
Perhaps
she did not appreciate the nobility, the courage, if it can be called that, of
all those hill-rambling old men with hearts like spent charcoal, trying to keep
a few smoldering embers alive.